![]() ![]() In this painting The Dream, the artist relies on his subconscious rather than the surrounding world to compose this lush scene. Rousseau once claimed he had "no teacher other than nature" and as such his paintings often depicted vivid jungle scenes, though he never left his native France. The meaning has been interpreted in various ways by artists, but it has come under criticism many times for perpetuating racial stereotypes and exoticizing the East in the works produced.įor artist Henri Rousseau, Primitivism referred to the “naive”, self-taught style and it’s an aesthetic he became famous for. ![]() ![]() In Western art, primitivism typically has borrowed from non-Western or prehistoric people perceived to be "primitive", and it’s been important in the development of modern art. Primitivism is an aesthetic idealization that emulates or aspires to recreate "primitive" experience. In a bid to discover more vivid styles and symbolic content, many Post-Impressionists were drawn to Primitivism. The Dream, Henri Rousseau, 1910 The Museum of Modern Art, USA Instead a disciplined network of dots and blocks of color were painted to convey a sense of organization and permanence to natural landscapes and city scenes. Like in Post-Impressionism, Neo-Impressionists strove to refine the impulsive and intuitive artistic mannerisms of Impressionism but adopted a rather more scientific approach to capturing light and color. His large scale work, A Sunday Afternoon on the Island of La Grande Jatte is Seurat’s most known piece and it initiated Neo-Impressionism. He is most known for his innovative use of drawing media and for devising the techniques known as chromoluminarism – a style of painting which involved the separation of colors into individual dots or patches which interacted optically, and pointilism – a technique in which small, distinct dots of color are applied in patterns to form an image. Georges-Pierre Seurat was a French painter and draftsman. His explorations of color and shape inspired other artists like Pablo Picasso, and his peers Edgar Degas, Paul Gauguin and Henri Matisse spoke highly of his creative “genius”.Ī Sunday Afternoon on La Grande Jatte, George Seurat, 1884-1886 The Art Institute of Chicago, USA In his lifetime, Cezanne’s work was often ridiculed by critics who continually compared it to Impressionist works, yet his fellow artists saw him as a creative master. In this painting of Mont Sainte-Victoire, we see the artist’s bold use of color and sporadic brushstrokes come together to create a landscape full of depth and energy. His repetitive and exploratory brushstrokes were typical of Cézanne’s style and by using planes of color he was able to build complex fields and detailed studies of his subjects. With his work he set out to restore a sense of order and structure to painting, and he achieved this by reducing objects to their most basic shapes while retaining the saturated colors of Impressionism. Mont Sainte-Victoire Seen from the Bibémus Quarry, Paul Cézanne, 1897 The Balitmore Museum of Art, USAįrench painter Paul Cézanne is said to be the father of Post-Impressionism. To understand what how the movement manifested itself in the art world, here we explore the artists and artworks that defined Post-Impressionism. The term Post-Impressionism was first used by English artist and critic Roger Fry in 1906 and then again in 1910 when he organized the exhibition, Manet and the Post-Impressionists, which defined it as the development of French art since Manet, a key figure in Impressionist painting. Post-Impressionists both extended Impressionism while rejecting its limitations: the artists continued using vivid colors, a thick application of paint and real-life subject matter, but were more inclined to emphasize geometric forms, distort forms for an expressive effect and use unnatural and seemingly random colors.ĭue to this broad emphasis on more abstract qualities and symbolic meaning, Post-Impressionism can encompass sub-movements such as Neo-Impressionism, Symbolism, Cloisonnism, and Synthetism. The movement emerged as a reaction against Impressionism and its concern for the naturalistic depiction of light and color. Post-Impressionism is a predominantly French art movement that developed roughly between 18, which was from the last Impressionist exhibition up to the birth of Fauvism. ![]()
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